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	<title>SouthAsianPlaywrights.org</title>
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	<link>http://southasianplaywrights.org</link>
	<description>showcasing playwrights of South Asian descent  - - - an initiative of Silk Road Theatre Project</description>
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			<item>
		<title>The Man of Man &#8211; Sujay Sood</title>
		<link>http://southasianplaywrights.org/?p=897</link>
		<comments>http://southasianplaywrights.org/?p=897#comments</comments>
		<pubDate>Fri, 30 Oct 2009 05:17:24 +0000</pubDate>
		<dc:creator>sujaysood</dc:creator>
				<category><![CDATA[Sujay Sood]]></category>
		<category><![CDATA[10 minute play]]></category>
		<category><![CDATA[movement based]]></category>
		<category><![CDATA[one-act play]]></category>
		<category><![CDATA[parable]]></category>
		<category><![CDATA[tragedy]]></category>

		<guid isPermaLink="false">http://southasianplaywrights.org/?p=897</guid>
		<description><![CDATA[Synopsis: In lyrical and poetic refrain, an anguished soul in The Man of Man searches for forgiveness for his sin of primal homicide. Man has committed the ultimate sin of killing &#8220;the man of man,&#8221; a divinity figure, and also killing his Woman in a fit of jealous rage. In a choreographed and lyrical exploration [...]]]></description>
			<content:encoded><![CDATA[<p><strong>Synopsis: </strong>In lyrical and poetic refrain, an anguished soul in The Man of Man searches for forgiveness for his sin of primal homicide. Man has committed the ultimate sin of killing &#8220;the man of man,&#8221; a divinity figure, and also killing his Woman in a fit of jealous rage. In a choreographed and lyrical exploration of incidents and motives, Man searches for forgiveness.</p>
<p><strong>Setting: </strong>A desert<br />
<strong>Time Period:</strong> Antiquity</p>
<p><strong>Cast Size:</strong> 4<br />
<strong>Casting:</strong> Man<br />
Woman<br />
Musician(s)</p>
<p><strong>This Play Is:</strong> published</p>
<p><strong>Production History:</strong> The Man of Man was performed at the Prithvi Theatre&#8217;s Play Festival at the Habitat Centre in New Delhi  in 1999, and at Aachen, Germany in 2002.</p>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>The Gossamer Gyre &#8211; Sujay Sood</title>
		<link>http://southasianplaywrights.org/?p=890</link>
		<comments>http://southasianplaywrights.org/?p=890#comments</comments>
		<pubDate>Fri, 30 Oct 2009 05:12:21 +0000</pubDate>
		<dc:creator>sujaysood</dc:creator>
				<category><![CDATA[Sujay Sood]]></category>
		<category><![CDATA[comedy]]></category>
		<category><![CDATA[drama]]></category>
		<category><![CDATA[full length play]]></category>
		<category><![CDATA[period]]></category>

		<guid isPermaLink="false">http://southasianplaywrights.org/?p=890</guid>
		<description><![CDATA[Synopsis: Actors rehearsing an Elizabethan play written in blank verse begin to find strange inconsistencies that begin to dissolve the line between their &#8220;real&#8221; selves and their characters. The first act is set in the environs of Shakespeare&#8217;s Richard III. A lord seeks the murderer of his son, while his mourning daughter falls for a [...]]]></description>
			<content:encoded><![CDATA[<p><strong>Synopsis:</strong> Actors rehearsing an Elizabethan play written in blank verse begin to find strange inconsistencies that begin to dissolve the line between their &#8220;real&#8221; selves and their characters. The first act is set in the environs of Shakespeare&#8217;s Richard III. A lord seeks the murderer of his son, while his mourning daughter falls for a knavish rogues iwth dubious moties. The lord&#8217;s misstress complicates the story by bringing news from teh kings&#8217; court of imminent capture and execution. But the plot devolves to overlap with the &#8220;real&#8221; lives of the actors, who flee at the end of act I to find themselves in a Shakespearean &#8220;Tempest&#8221; in act II.</p>
<p><strong>Setting:</strong> Contemporary stage/Elizabethan/island<br />
<strong>Time Period: </strong>contemporary + Elizabethan</p>
<p><strong>Cast Size:</strong> 5<br />
<strong>Casting:</strong> Lord Goodrig aka Richard, 50s<br />
Mistress Jane aka Eleanor, 40s<br />
Isabel aka Marina, 20s<br />
Arthur aka Sanjay, 20s<br />
Belincara aka Vanessa, a sprite</p>
<p><strong>Design Needs: </strong>The second act require a &#8220;tempest&#8221; sort of feel.<br />
Elizabethan costumes are necessary.</p>
<p><strong>This Play Is:</strong> unpublished</p>
<p><strong>Production History:</strong> The Gossamer Gyre was workshopped in 1999 in a staged-reading by the Players&#8217; Group at the National Center for the Performing Arts in Mumbai.</p>
]]></content:encoded>
			<wfw:commentRss>http://southasianplaywrights.org/?feed=rss2&amp;p=890</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Contract &#8211; Sujay Sood</title>
		<link>http://southasianplaywrights.org/?p=885</link>
		<comments>http://southasianplaywrights.org/?p=885#comments</comments>
		<pubDate>Fri, 30 Oct 2009 05:05:57 +0000</pubDate>
		<dc:creator>sujaysood</dc:creator>
				<category><![CDATA[Sujay Sood]]></category>
		<category><![CDATA[explicit language]]></category>
		<category><![CDATA[one-act play]]></category>
		<category><![CDATA[political drama]]></category>
		<category><![CDATA[set in the USA]]></category>

		<guid isPermaLink="false">http://southasianplaywrights.org/?p=885</guid>
		<description><![CDATA[Synopsis: A salesman comes knocking on a cold and snowy night. He doesn&#8217;t recognize Cristina to be the ex-fiancé he ran out on a decade ago. As the past is gradually revealed, Seve tries to use the past as leverage to make his sale. The conflicts in the relationship between Devinder &#8220;Dave&#8221; and Cristina also [...]]]></description>
			<content:encoded><![CDATA[<p><strong>Synopsis: </strong>A salesman comes knocking on a cold and snowy night. He doesn&#8217;t recognize Cristina to be the ex-fiancé he ran out on a decade ago. As the past is gradually revealed, Seve tries to use the past as leverage to make his sale. The conflicts in the relationship between Devinder &#8220;Dave&#8221; and Cristina also come to the fore, and the secret which Cristina has kept from her husband for so long is revealed. The play investigates the nature of various types of &#8220;contracts&#8221; that affect our day to day lives.</p>
<p><strong>Setting:</strong> House, American suburbia<br />
<strong>Time Period: </strong>Contemporary</p>
<p><strong>Cast Size: </strong>5<br />
<strong>Casting:</strong> Devender Prakash, a naturalized American from India, late thirties<br />
Cristina Gonzalez, a naturalized American from Puerto Rico, early thirties<br />
Seve Skantzas, a naturalized American from Greece, early thirties<br />
Maria Gonzalez, Cristina&#8217; s mother<br />
Pizzaboy, a delivery person<br />
TVSPEAKER: A politician<br />
Seve&#8217;s double</p>
<p><strong>Design Needs:</strong> Seve&#8217;s double is a character who appears during a surreal/dream sequence in which the beginning of the play repeats itself, and the audience isn&#8217;t aware that they&#8217;re in Seve&#8217;s head until they realize that there are two Seves on stage.</p>
<p><strong>This Play Is:</strong> unpublished</p>
<div><strong>Production History: </strong>Contract was performed in 1999 by the Theatre Action Group at The Habitat Center in New Delhi.</div>
]]></content:encoded>
			<wfw:commentRss>http://southasianplaywrights.org/?feed=rss2&amp;p=885</wfw:commentRss>
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		</item>
		<item>
		<title>Boundary Conditions &#8211; Sujay Sood</title>
		<link>http://southasianplaywrights.org/?p=881</link>
		<comments>http://southasianplaywrights.org/?p=881#comments</comments>
		<pubDate>Fri, 30 Oct 2009 05:00:22 +0000</pubDate>
		<dc:creator>sujaysood</dc:creator>
				<category><![CDATA[Sujay Sood]]></category>
		<category><![CDATA[contemporary]]></category>
		<category><![CDATA[drama]]></category>
		<category><![CDATA[family drama]]></category>
		<category><![CDATA[love story]]></category>
		<category><![CDATA[one-act play]]></category>
		<category><![CDATA[romantic]]></category>
		<category><![CDATA[small cast]]></category>
		<category><![CDATA[tragedy]]></category>
		<category><![CDATA[violent]]></category>

		<guid isPermaLink="false">http://southasianplaywrights.org/?p=881</guid>
		<description><![CDATA[Synopsis: Sheela, newly-wed and newly-arrived to a big town, overcomes her alienation and loneliness by getting hooked onto the daily lessons of the TV TUTOR. Her husband, Govind, is an engineeer who is busy with work and busy with his pals.
The TV TUTOR is somewhat magical in its interactions with Sheela, and she gets herself [...]]]></description>
			<content:encoded><![CDATA[<p><strong>Synopsis: </strong>Sheela, newly-wed and newly-arrived to a big town, overcomes her alienation and loneliness by getting hooked onto the daily lessons of the TV TUTOR. Her husband, Govind, is an engineeer who is busy with work and busy with his pals.<br />
The TV TUTOR is somewhat magical in its interactions with Sheela, and she gets herself educated beyond the ken of her husband&#8217;s understanding.<br />
Events come to a head during fateful night, the Karvachaut fast, after which violence and resolution one is left to contemplate the role/beneficiality of TV TUTOR in the couple&#8217;s lives.</p>
<p><strong>Setting:</strong> Apartment in India<br />
<strong>Time Period:</strong> contemporary</p>
<p><strong>Cast Size:</strong> 3<br />
<strong>Casting:</strong> GOVIND, HUSBAND, MID-THIRTIES<br />
SHEELA, WIFE, MID-TWENTIES<br />
TV TUTOR, A TELEVISION TUTOR<br />
<strong></strong></p>
<p><strong>Design Needs:</strong> the TV TUTOR needs to be a live feed from an actor backstage to the screen/monitor onstage.<br />
<strong><br />
This Play Is:</strong> unpublished<br />
<strong> </strong></p>
<p><strong>Production History:</strong> Boundary Conditions was performed in 1999 by Theatre Action Group at the International Habitat Centre in New Delhi.</p>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Blacky&#8217;s Trunk (English/Hungarian) &#8211; Sujay Sood</title>
		<link>http://southasianplaywrights.org/?p=875</link>
		<comments>http://southasianplaywrights.org/?p=875#comments</comments>
		<pubDate>Fri, 30 Oct 2009 04:55:03 +0000</pubDate>
		<dc:creator>sujaysood</dc:creator>
				<category><![CDATA[Sujay Sood]]></category>

		<guid isPermaLink="false">http://southasianplaywrights.org/?p=875</guid>
		<description><![CDATA[Synopsis: The play is written in English and Hindi (an original version exists in English and French; English/Spanish and English/Hungarian versions also exist).
The structure of the play is such that a spectator how knows only one language either English or Hungarian will be able to understand the entirety of the play by the end of [...]]]></description>
			<content:encoded><![CDATA[<p><strong>Synopsis: </strong>The play is written in English and Hindi (an original version exists in English and French; English/Spanish and English/Hungarian versions also exist).</p>
<p>The structure of the play is such that a spectator how knows only one language either English or Hungarian will be able to understand the entirety of the play by the end of both acts.</p>
<p><strong>Setting:</strong> A Beach</p>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Title: Blacky&#8217;s Trunk (English/Spanish) &#8211; Sujay Sood</title>
		<link>http://southasianplaywrights.org/?p=870</link>
		<comments>http://southasianplaywrights.org/?p=870#comments</comments>
		<pubDate>Fri, 30 Oct 2009 04:53:12 +0000</pubDate>
		<dc:creator>sujaysood</dc:creator>
				<category><![CDATA[Sujay Sood]]></category>

		<guid isPermaLink="false">http://southasianplaywrights.org/?p=870</guid>
		<description><![CDATA[Synopsis: The play is written in English and Hindi (an original version exists in English and French; English/Spanish and an English/Hungarian versions also exist).
The structure of the play is such that a spectator how knows only one languageâ either English or Spanish will be able to understand the entirety of the play by the end [...]]]></description>
			<content:encoded><![CDATA[<p><strong>Synopsis:</strong> The play is written in English and Hindi (an original version exists in English and French; English/Spanish and an English/Hungarian versions also exist).</p>
<p>The structure of the play is such that a spectator how knows only one languageâ either English or Spanish will be able to understand the entirety of the play by the end of both acts.</p>
<p><strong>Setting:</strong> Beach</p>
]]></content:encoded>
			<wfw:commentRss>http://southasianplaywrights.org/?feed=rss2&amp;p=870</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Blacky&#8217;s Trunk (English/Hindi) &#8211; Sujay Sood</title>
		<link>http://southasianplaywrights.org/?p=863</link>
		<comments>http://southasianplaywrights.org/?p=863#comments</comments>
		<pubDate>Fri, 30 Oct 2009 04:50:24 +0000</pubDate>
		<dc:creator>sujaysood</dc:creator>
				<category><![CDATA[Sujay Sood]]></category>
		<category><![CDATA[some dance]]></category>
		<category><![CDATA[some song]]></category>

		<guid isPermaLink="false">http://southasianplaywrights.org/?p=863</guid>
		<description><![CDATA[The structure of the play is such that a spectator how knows only one language either English or Hindi will be able to understand the entirety of the play by the end of both acts.
Setting: A Beach
Time Period: Anytime


Design Needs: The trunk is essential to the play. It needs to be large enough for an [...]]]></description>
			<content:encoded><![CDATA[<p>The structure of the play is such that a spectator how knows only one language either English or Hindi will be able to understand the entirety of the play by the end of both acts.</p>
<div><strong>Setting:</strong> A Beach<br />
<strong>Time Period: </strong>Anytime</div>
<div><strong><br />
</strong></div>
<div><strong>Design Needs:</strong> The trunk is essential to the play. It needs to be large enough for an actor to fit in. The trunk must also have a flap at the back for the actor to be able to get out.<br />
There is paraphernalia in Braman&#8217;s backpack as well as in the trunk, as will become clear during a reading of the play.</div>
<p><strong>This Play Is: </strong>unpublished</p>
<div><strong>Production History:</strong> An English/French version of Blacky&#8217;s Trunk was performed in 2000 at the Boston Conservatory.<br />
An English/Hindi version of Blacky&#8217;s Trunk was performed in 2004 by the South Asian Theatre Group at the Boston Actors Workshop.</div>
<div><strong>Awards Review Quotes:</strong> Awards, Accolades, Great Review Pull Quotes, etc.</div>
]]></content:encoded>
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		</item>
		<item>
		<title>Blacky&#8217;s Trunk (English/French) &#8211; Sujay Sood</title>
		<link>http://southasianplaywrights.org/?p=829</link>
		<comments>http://southasianplaywrights.org/?p=829#comments</comments>
		<pubDate>Thu, 29 Oct 2009 16:49:19 +0000</pubDate>
		<dc:creator>sujaysood</dc:creator>
				<category><![CDATA[Sujay Sood]]></category>
		<category><![CDATA[bi-lingual]]></category>
		<category><![CDATA[comedy]]></category>
		<category><![CDATA[drama]]></category>
		<category><![CDATA[full length play]]></category>
		<category><![CDATA[love story]]></category>
		<category><![CDATA[movement/physical based]]></category>
		<category><![CDATA[small cast]]></category>
		<category><![CDATA[tragedy]]></category>
		<category><![CDATA[tragicomedy]]></category>

		<guid isPermaLink="false">http://southasianplaywrights.org/?p=829</guid>
		<description><![CDATA[ 
Synopsis: The play is written in English and Hindi (an original version exists in English and French; English/Spanish and English/Hungarian versions also exist).

The structure of the play and the nature of physical and verbal repetition is such that a spectator how knows only one language either English or French will be able to understand [...]]]></description>
			<content:encoded><![CDATA[<p><span style="font-family: arial, sans-serif; line-height: normal; border-collapse: collapse;"> </span></p>
<div><span style="color: #000000;"><strong>Synopsis:</strong> The play is written in English and Hindi (an original version exists in English and French; English/Spanish and English/Hungarian versions also exist).<br />
</span></div>
<p><span style="color: #000000;">The structure of the play and the nature of physical and verbal repetition is such that a spectator how knows only one language either English or French will be able to understand the entirety of the play by the end of both acts.</span></p>
<div><span style="color: #000000;"></p>
<p><strong>Duration: </strong> 2 hours, ~1 hour each act.</p>
<p><strong>Note:</strong> Suggested size of Blacky&#8217;s Trunk:  6 ft long by 3 ft high by 2 ft deep.</p>
<p></span></div>
<div><span style="color: #000000;"><br />
</span></div>
<div><span style="color: #000000;"><strong>Setting:</strong> A beach, anytime</span></div>
<div><span style="color: #000000;"><strong>Time Period:</strong> Any time</span></div>
<div><span style="color: #000000;"><br />
</span></div>
<div><span style="color: #000000;"><strong>Cast Size:</strong> 5<br />
<strong>Casting:</strong> Atman: motivated in life by the physical<br />
Kala: in search of artistic expression<br />
Maya: ruled by the desire of the seductress<br />
Braman: motivated by the scientific<br />
Child: (preferably of indeterminate sex)</span></div>
<div><span style="color: #000000;"><br />
</span></div>
<div><span style="color: #000000;"><strong>Design Needs:</strong> The trunk is central to this play. It should be sufficiently large to contain the actor for a brief period, with a backside flap for easy exit.<br />
Sand is a requirement for the Child&#8217;s sandbox.<br />
Braman&#8217;s bag has some essential paraphernalia, as will become clear in the play.<br />
</span></div>
<p><span style="color: #000000;"><strong>This Play Is:</strong> unpublished<br />
<strong>Production History:</strong> The play was performed in 2000 (english/French) at the Boston Conservatory, and in 2004 in English/Hindi by the South Asian Theatre Group at the Boston Actors Workshop.</span></p>
]]></content:encoded>
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		<item>
		<title>Sex Industry: Indecent Job and Closets Full of Juicy Plums &#8211; by Bina Sharif</title>
		<link>http://southasianplaywrights.org/?p=803</link>
		<comments>http://southasianplaywrights.org/?p=803#comments</comments>
		<pubDate>Tue, 15 Sep 2009 21:00:33 +0000</pubDate>
		<dc:creator>binasharif</dc:creator>
				<category><![CDATA[Bina Sharif]]></category>

		<guid isPermaLink="false">http://southasianplaywrights.org/?p=803</guid>
		<description><![CDATA[Synopsis: 
INDECENT JOB: A sexually charged, wealthy banker wants to have his own private club with scantily clad dancing girls.
CLOSETS FULL OF JUICY PLUMS: A step-father sleeps with his adoptive young daughter.
Setting: A strip club, an apartment, a school
Cast Size: 6
Casting:
BANKER, white American male
DANCERS (5), female
]]></description>
			<content:encoded><![CDATA[<p><strong>Synopsis: </strong></p>
<p>INDECENT JOB: A sexually charged, wealthy banker wants to have his own private club with scantily clad dancing girls.</p>
<p>CLOSETS FULL OF JUICY PLUMS: A step-father sleeps with his adoptive young daughter.</p>
<p><strong>Setting: </strong>A strip club, an apartment, a school</p>
<p><strong>Cast Size: </strong>6</p>
<p><strong>Casting:</strong></p>
<p>BANKER, white American male</p>
<p>DANCERS (5), female</p>
]]></content:encoded>
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		<item>
		<title>Accusation &#8211; by Bina Sharif</title>
		<link>http://southasianplaywrights.org/?p=801</link>
		<comments>http://southasianplaywrights.org/?p=801#comments</comments>
		<pubDate>Tue, 15 Sep 2009 20:56:12 +0000</pubDate>
		<dc:creator>binasharif</dc:creator>
				<category><![CDATA[Bina Sharif]]></category>
		<category><![CDATA[tragicomedy]]></category>

		<guid isPermaLink="false">http://southasianplaywrights.org/?p=801</guid>
		<description><![CDATA[Synopsis: Ten young men are wrongfully accused by their neighbors of various petty crimes, such as jumping rope in the apartment.
Setting: A courtroom, an upscale French restaurant in NYC
Time Period: 2000
Cast Size: 13
ACCUSED MEN (2), 18-20 years old. The remaining 8 men are represented by signs taped to empty chairs.
JUDGE, white American female
DEFENSE ATTORNEY, white [...]]]></description>
			<content:encoded><![CDATA[<p><strong>Synopsis: </strong>Ten young men are wrongfully accused by their neighbors of various petty crimes, such as jumping rope in the apartment.</p>
<p><strong>Setting: </strong>A courtroom, an upscale French restaurant in NYC</p>
<p><strong>Time Period: </strong>2000</p>
<p><strong>Cast Size: </strong>13</p>
<p>ACCUSED MEN (2), 18-20 years old. The remaining 8 men are represented by signs taped to empty chairs.</p>
<p>JUDGE, white American female</p>
<p>DEFENSE ATTORNEY, white American male</p>
<p>JUDGE&#8217;S HUSBAND, white American male</p>
]]></content:encoded>
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